Exodus 27 · Adam Clarke
Introduction The altar of burnt-offerings, and its dimensions, Exo 27:1 ; its horns, Exo 27:2 ; pans, shovels, etc., Exo 27:3 ; its grate and net work, Exo 27:4 , Exo 27:5 ; its staves, Exo 27:6 , Exo 27:7 . Court of the tabernacle, with its pillars and hangings, Exo 27:9-15 . Gate of the court, its pillars, hangings, length, breadth, and height, Exo 27:16-18 . All the vessels used in the court of the tabernacle to be of brass, Exo 27:19 . The Israelites to provide pure olive oil for the light, Exo 27:20 . Every thing to be ordered by Aaron and his sons, Exo 27:21 . Verse 1 Thou shalt make an altar - מזבח mizbeach, from זבח zabach, to slay: Septuagint, θυσιαστηριον, from θυσιαζω, to sacrifice or from θυω to kill, etc. See Clarke's note on Gen 8:20 . Four square - As this altar was five cubits long and five broad, and the cubit is reckoned to be twenty-one inches, hence it must have been eight feet nine inches square, and about five feet three inches in height, the amount of three cubits, taken at the same ratio.
Verse 2 Thou shalt make the horns of it - The horns might have three uses: 1. For ornament. 2. To prevent carcasses, etc., from falling off. 3. To tie the victim to, previously to its being sacrificed. So David: Bind the sacrifice with cords to the horns of the altar; Psa 118:27 . Horns were much used in all ancient altars among the heathen, and some of them were entirely constructed of the horns of the beasts that had been offered in sacrifice; but such altars appear to be erected rather as trophies in honor of their gods. On the reverses of several medals we find altars represented with horns at the corners. There is a medal of Antoninus on the reverse of which is an altar, on which a fire burns, consecrated Divi Pio, where the horns appear on each of the corners. There is one of Faustina, on which the altar and its horns are very distinct, the legend Pietas Augusta. All the following have altars with horns. One of Valerian, legend Consecratio; one of Claudius Gothicus, same legend; one of Quintillus, same legend; one of Crispina, with the legend Diis Genitalibus; and several others. See Numismatica Antiq., a Musellio, under Consecratio, in the index. Callimachus, in his Hymn to Apollo, line 60 introduces him constructing an altar of the horns of the animals slain by Diana: - πηξε δε βωμον Εκ κεραων κ. τ. λ. Martial has these words: Cornibus ara frequens.
Verse 3 Thou shalt make his pans - סירתיו sirothaiv, a sort or large brazen dishes, which stood under the altar to receive the ashes that fell through the grating. His shovels - יעיו yaaiv. Some render this besoms; but as these were brazen instruments, it is more natural to suppose that some kind of fire-shovels are intended, or scuttles, which were used to carry off the ashes that fell through the grating into the large pan or siroth. His basins - מזרקתיו mizrekothaiv, from זרק zarak, to sprinkle or disperse; bowls or basins to receive the blood of the sacrifices, in order that it might be sprinkled on the people before the altar, etc. His flesh-hooks - מזלגתיו mizlegothaiu. That this word is rightly translated flesh-hooks is fully evident from 1Sam 2:13 , where the same word is used in such a connection as demonstrates its meaning: And the priest's custom with the people was, that when any man offered sacrifice, the priest's servant came, while the flesh was in the seething, with a Flesh-Hook (מזלג mazleg) of three teeth (prongs) in his hand, and he struck it into the pan, etc.; all that the Flesh-Hook (מזלג mazleg) brought up, the priest took for himself. It was probably a kind of trident, or fork with three prongs, and these bent to a right angle at the middle, as the ideal meaning of the Hebrew seems to imply crookedness or curvature in general. His fire-pans - מחתתיו machtothaiu. Bishop Patrick and others suppose that "this was a larger sort of vessel, wherein, probably, the sacred fire which came down from heaven ( Lev 9:24 ) was kept burning, whilst they cleansed the altar and the grate from the coals and the ashes; and while the altar was carried from one place to another, as it often was in the wilderness.
Verse 4 Thou shalt make for it a grate - Calmet supposes this altar to have been a sort of box, covered with brass plates, on the top of which was a grating to supply the fire with air, and permit the ashes to fall through into the siroth or pan that was placed below. At the four corners of the grating were four rings and four chains, by which it was attached to the four horns; and at the sides were rings for the poles of shittim wood with which it was carried. Even on this there is a great variety of opinions.
Verse 8 Hollow with boards - It seems to have been a kind of frame-work, and to have had nothing solid in the inside, and only covered with the grating at the top. This rendered it more light and portable.
Verse 9 The court of the tabernacle - The tabernacle stood in an enclosure or court, open at the top. This court was made with pillars or posts, and hangings. It was one hundred cubits, or about fifty-eight yards and a half, in length; the breadth we learn from Exo 27:12 , Exo 27:18 ; and five cubits, or nearly three yards, high, Exo 27:18 . And as this was but half the height of the tabernacle, Exo 26:16 , that sacred building might easily be seen by the people from without.
Verse 16 And for the gate of the court - It appears that the hangings of this gate were of the same materials and workmanship with that of the inner covering of the tabernacle, and the outer and inner veil. See Exo 26:36 .
Verse 19 All the vessels - shall be of brass - It would have been improper to have used instruments made of the more precious metals about this altar, as they must have been soon worn out by the severity of the service.
Verse 20 Pure oil olive beaten - That is, such oil as could easily be expressed from the olives after they had been bruised in a mortar; the mother drop, as it is called, which drops out of itself as soon as the olives are a little broken, and which is much purer than that which is obtained after the olives are put under the press. Columella, who is a legitimate evidence in all such matters, says that the oil which flowed out of the fruit either spontaneously, or with little application of the force of the press, was of a much finer flavour than that which was obtained otherwise. Quoniam longe melioris saporis est, quod minore vi preli, quasi luxurians, defluxerit - Colum., lib. xii., c. 50. To cause the lamp to burn always - They were to be kept burning through the whole of the night, and some think all the day besides; but there is a difference of sentiment upon this subject. See the note on Exo 27:21 . This oil and continual flame were not only emblematical of the unction and influences of the Holy Ghost, but also of that pure spirit of devotion which ever animates the hearts and minds of the genuine worshippers of the true God. The temple of Vesta, where a fire was kept perpetually burning, seems to have been formed on the model of the tabernacle; and from this the followers of Zeratusht, commonly called Zoroaster, appear to have derived their doctrine of the perpetual fire, which they still worship as an emblem of the Deity.